Works

Replay (2000)

Multimedia Installation
Three videos, book and text

View of ‘Replay’ in ‘Laughter’ / LIFT,  Bargehouse, London, 2005

View of ‘Replay’ in ‘Laughter’ / LIFT,  Bargehouse, London, 2005

View of ‘Replay’ in ‘Laughter’ / LIFT,  Bargehouse, London, 2005

Photograph from the book ‘La guerre du Liban (Images et chronologies)’, Dar Al – Massira, 1978

Photograph from the book ‘La guerre du Liban (Images et chronologies)’, Dar Al – Massira, 1978

View of ‘Replay’ in Permanent War: The Age of Global Conflict, School of the Museum of Fine Arts, Boston, 2015

View of ‘Replay’ in Permanent War: The Age of Global Conflict, School of the Museum of Fine Arts, Boston, 2015

View of ‘Replay’ in Permanent War: The Age of Global Conflict, School of the Museum of Fine Arts, Boston, 2015

Still from ‘Replay’

Still from ‘Replay’

Still from ‘Replay’

Still from ‘Replay’

Replay (2000)

Multimedia Installation
Three videos, book and text
Concept, camera, text, and production: Lamia Joreige
Co-produced by Ashkal Alwan (The Lebanese Association for Plastic Arts).

With the participation of: Zeina Arida and Ziad Abi Azar
Book reference: La guerre du Liban (Images et chronologies), Dar Al – Massira, 1978

‘Replay’ explores the idea of rupture of time / within time, of rupture as violence and possible death. Two photographs – fragments – of the Lebanese war, are chosen to be re-enacted by two performers, a man and a woman. The book from which these photographs are taken is displayed in a small window, as an archival reference. We can see on each of the three aligned screens of equal size, a video projected in loop: A man never stops falling, never stops dying (right screen). A woman never stops running, never stop escaping (left screen). Two bodies separated by the immutable sea (middle screen), are perpetuating a vain act.